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[Adults Only] and [Art Therapy], with the premise of an interaction between imagination and implementation, evoke audience another kind of feedback. The entrance of the room with PG19 warning is covered with feathers and on the screen Barbie dolls are simulating the act of sexual intercourse, which intentionally misrepresents the sexual spur of pornography. The bed located in the neighboring room induces audience to participate in actual act of sex as if it is a healing process, which is the artist’s way of mocking the healing nature of art. Is there any subject so intensely stressed yet ever remained ambiguous other than “interactivity”? Despite all the efforts made by artists to help them participating and “interacting” with artworks, audiences in fact hardly feels an urge to do so. Art might have to hold a power to heal ultimately, however it‘s a little ironic that art intends to give a direct healing or remedy.

-Whui-yeon Jin (Ph.D)
-Transcribe a passage from the critique of the second solo exhibition